Here is a review of a selection of Frank La Rocca’s compositions called In This Place, written by Br Brad T. Elliot OP; it appeared first, in slightly altered form, on page 49 of the Fall 2015 edition of Sacred Music, the journal of the CMAA.
I have only just seen this, but I thought to bring it to your attention for a couple of reasons, the first being that I think that Frank La Rocca’s work deserves to get more attention.
The second reason is that the principles by which the reviewer judges the merit of La Rocca’s works are themselves worthy of study. Br Brad Elliot, who is a Dominican of the Western Province of the United States, has a good grasp of music theory (way beyond my own) and of the principles of sacred music. He brings his knowledge of both into the discussion. As such, in this short piece, I feel he outlines succinctly a guide for patrons, composers, and for the judgment of such compositions, in accord with general principles are applicable in all the creative arts.
Br Brad explains very well why it is imperative that we always have new compositions to breathe life into any artistic tradition. No tradition can rely on a canon of past works alone; without continuing creativity, it will cease to engage new people and become dead. As he puts it:
Simply put, the giving over or tradere of the past into the future must pass through the present as a necessary middle term; the present is where the real tradition takes place.
He stresses also the importance of exploring modern forms of music, as he says:
…modern harmony should not be feared as a threat to sacred beauty.
But he is quick to point out that such exploration can never be used as a reason for compromising the essential principles of sacred music.
Is Frank La Rocca’s music doing this? Perhaps. I think so, and Br Brad thinks so. But we must be clear that fulfillment of the criteria that Br Brad lays down is not the only requirement. In the end, it has to appeal at a natural level to many people as well. This is the great challenge to the artist in any field, and the mark of true creativity. Neither Br Brad nor myself are the final arbiters of taste and so the final test of its goodness is not (Read More)