Titian the trailblazer – showing us how to balance naturalism and symbolism

By David Clayton

Titian is one of the greats of Western art. He lived from about 1480 to 1576, in Venice, and was active almost right to the end of his life. He began painting in the period of the High Renaissance and when he died was in the latter part of the 16th century which was characterized by individual artistic styles collectively called ‘mannerism’. Titian’s style, though individual to him when he established it, was highly influential and much of what characterized the baroque tradition of the 17th century was derived from his work. In some ways he can be considered one of the pioneers of the baroque style that dominated in the 17th century. This is important because the baroque is the one artistic traditions that Pope Benedict describes, in his book, the Spirit of the Liturgy, as being an authentic liturgical tradition.

Some people may be surprised, as I was, to discover that the High Renaissance (the style of Leonardo, Michelangelo and Raphael from about 1490 to 1525) is not considered fully and authentically liturgical (ie right for the Catholic liturgy). This is not to say that there are not individual works of art from these great artists that might be appropriate, but that it was not yet a coherent tradition in which a theology of form had been fully worked out, as was later to happen for the baroque. Pope Benedict argues that for the most part it was too strongly influenced by the pagan art of classical Greece and Rome and reveals the self-obsessed negative aspects of classical in a way that is not fully Christian.

As a young man Titian trained during the High Renaissance and the influence of this can be seen in this early painting of his, the Enthronement of St Mark. At the feet of St Mark are Ss Cosmas and Damien on the left, and St Sebastien and St Roch on the right. This was painted in 1510 and one could be forgiven for thinking it was painted by Raphael. Notice how sharply defined all the figures and all the details are, even the floor tiles.

If you compare this with the following paintings we see how his work changed as he got older. The first is Cain and Abel painted in 1543; and the second is the entombment of Christ, painted in 1558. In the latter Joseph of Arimathea, Nicodemus and the Virgin (Read More)

Source:: http://thewayofbeauty.org/2015/11/titian-and-his-contribution-to-a-whole-new-tradition-in-art/

Posted by Creator Mundi in News