“We are made in the image and likeness of the Creator of all things and as such, we share in His creative power. Man is, in effect, as J.R.R. Tolkien put it, a sub-creator.”
The Parable of the Painter
There was once an artist, a painter of consummate skill who conceived a great work. He first spent weeks sketching and refining his inspiration. His studies for the various elements were works of art in themselves. When he was satisfied that he had captured his vision he began the task of preparing his support.
He spent days searching for the finest canvas, and days more stretching and preparing the canvas for paint. He sealed the surface with a foundation of gesso, sanding and reapplying until the ground held the perfect tension upon which to paint.
The paints he mixed himself, grinding the pigments and mixing them with a medium of his own invention. Finally, after many weeks, he was prepared to begin the painting.
He worked with skill and confidence. His brush never hesitating or erring. His composition was perfect, it held the eye and the imagination to such an extent that the viewer lost all track of time, gazing in endless wonder at the arrangement of the elements. The colors showed a harmony seldom seen, vibrant and luminous, echoing the music of the cosmos.
When at last he laid down his brush, the painter stepped back and saw the great beauty of his work. Exhausted from the effort, he then took his rest.
But the painter had an enemy, one who, out of envy, sought to disrupt all that the painter created. While the painter slept the enemy came into the studio and introduced a flaw into the foundation of the work. This flaw grew, spreading over the work threatening to destroy its beauty.
When the painter awoke and saw the damage done to the work, he thought first to destroy the painting and begin the long process again. But the work was precious to him, a child of his imagination, and he could not bear the thought of destroying it. He considered correcting the flaw but feared that it would simply reappear as it now had become part of the work itself.
Finally he concluded there was only one way to save the work. He painted himself into the work and taught the work how to correct itself.
In His Image and likeness
In the story of the fall of (Read More)